Cra and Financial Crisis

Table of Content Introduction2 Real-life examples2 Empirical cycle2 Other concepts of Babbie, Gravetter and Forzano applied2 Conclusion2 References2 Introduction The burst of the United States housing market bubble initiated the worldwide financial crisis. Amongst all housing regulations, the community reinvestment act (CRA) may be the most significant. The act passed in 1977 to improve low-income households’ housing opportunities. As such, the act raised the incentives for banks to provide mortgages to low-income households (FFIEC, n. d. ). Over time, several political administrations, like the George H.W. Bush-, Clinton- and George W. Bush-administration, changed the original act, adapting to new challenges in the housing market (Braunstein, 2008). However, as time passed, the act became less important for banks, as the products, mortgages, became more profitable. As a result, more and more financial institutions started offering mortgages to low-income classes. These so cal led subprime mortgages are often associated with high risks (Aalbers, 2009). This point of view can be concluded with the hypothesis that the CRA will be seen as a cause of the financial crisis.Firstly, the different opinions and their respective arguments with regard to the hypothesis are illustrated. Secondly, an explanation is given on how these examples fit in the empirical cycle. Thirdly, three other concepts of Babbie, Gravetter and Forzano are applied to the examples. Finally, a conclusion is drawn with respect to the examples. Real-life examples As a result of the CRA, banks were rated, based on the number of loans given out to low-income households. A bad rating could have had severe consequences for a bank.The fact that the FED did not allow a Hartford, Connecticut bank to acquire a New Hampshire bank on CRA grounds demonstrates this. In order to keep their CRA ratings high, banks had to provide low-income classes with loans. In essence it can be said that the CRA ratings raised the banks’ incentives to provide low-income households with loans (Carney, 2009a). It can clearly be seen that the enforcement of the CRA over time led to a relaxation of lending standards and consequentially to more risk-taking in the banking sector in the form of mortgages. These high-risk mortgages are now seen as part of the problem.Thus, Carney (2009b) concludes, the CRA is part of the cause of the financial crisis. Carney agrees with the hypothesis. Defendants of the CRA simply claim that an act passed in 1977 cannot lead to the creation of a housing bubble in the early 21st century. Nevertheless, the CRA was not a static piece of legislation. The act evolved over the years, as it was mentioned earlier in the introduction. To be more specific, it was more and more enforced over the years. As a conclusion it can be said that the enforcement of the CRA might have been crucial in creating the housing bubble.Therefore the act could have created a housing bubble in th e early 21st century (Carney, 2009a). However, Aalbers (2009) also argues in favor of the CRA and tries to falsify the hypothesis. He states that the majority of subprime loans in 2006 were provided by non-bank lenders. These non-bank lenders, however, were not subject to CRA regulations and thus were not obliged to provide affordable loans to low-income classes. The only logical conclusion that can be drawn from this information is that these loans to low-income classes were an attractive investment.Thus, Aalbers says, the CRA was not the cause of the high-risk mortgages providence to low-income households by banks. By clearly, Aalbers would reject the hypothesis that the CRA was a cause of the financial bubble. Nonetheless, his argumentation has to be questioned. In 1977 most of the loans and mortgages were provided by banks as well as savings and loan associations. The extra mortgages that were provided as a result of the CRA probably increased the demand for houses, which in tur n resulted in an inflation of housing prices.Several years later, due to rising housing prices, subprime mortgages became a more attractive investment for financial institutions. Consequently, the majority of loans issued since the inception of the CRA came from nonbanks that deemed mortgages a good investment. In other words, the CRA created major lending opportunities for financial institutions (Kroszner, 2009). Since the CRA initiated the inflation of housing prices to some extent, it can be argued that the CRA can be hold partly responsible for the creation of the housing bubble. This theory should verify the hypothesis. This argumentation has to be investigated further.As Foote et al. ’s (2008) research concludes, housing price data in Massachusetts reveals that around 70% of all homes lost to foreclosure were actually purchased with prime mortgages. From that information Aalbers (2009) derives that most loans were not used for directly financing new homes, but rather re financing existing loans. Hence, Aalbers insinuates that the extra mortgage lending as a result of the CRA did not cause a rise in housing prices. That information implies that the CRA was not a cause of the creation or inflation of the United States housing bubble. Clearly, this would reject the hypothesis.Nonetheless, Aalbers’ argumentation contains two pitfalls. First, his argumentation solely rests on inductive reasoning. Massachusetts is just one small part of the United States of America. Without any supportive data to back up the thesis that the Massachusetts housing market is representative of the whole nation’s housing market, it has to be concluded that Aalbers overgeneralizes the statistical data provided by Foote et al. As Babbie (2005) mentions, overgeneralization can lead to misdirection or rendering of inquiry. Due to this fact Aalbers’ argumentation is questionable. Second, even if the study of Foote et al. 2008) were representative, Aalbers fail ed to acknowledge the other side of the medal: The supply side, as it is not in favor of his opinion. If the CRA-related loans were used to refinance homes only, it would strongly affect the supply side of the housing market in the way that supply was artificially lowered. Homes were occupied that otherwise would not have been, driving up the prices of real estate. Aalbers falls victim to the fallacy of selective observation. He only looks at the effects of the CRA on the demand-side. Looking at the supply-side would not support his theory and point of view on the topic.That makes this observation a selective one. Empirical cycle This debate fits in the empirical cycle in the way that it started with an observation: The burst of the housing bubble. Consequentially different hypotheses and theories where formulated and tested by reasoning and correlation. As markets nowadays are very complex phenomena, it is difficult to establish a causal relationship between several factors of this system. In spite of that it is possible to use logical reasoning and correlation between these factors to hint at the correctness of a thesis. For example, it can be investigated how many subprime loans were CRA-related.A different question that can be posed is how these CRA-related subprime loans performed against other loans (Kroszner, 2009). The answers to these questions could give an idea of the causal relation between the CRA and the financial crisis. After testing the hypothesis, a new hypothesis and theory might be formulated until a conclusive theory is found. Nevertheless, Kroszner himself admitted the existence of a lack of data to get conclusive answers to the previously mentioned questions. For the empirical cycle, this lack of data means it is very hard to reject or not reject theses, obstructing the formulation of new theses and theories.Other concepts of Babbie, Gravetter and Forzano applied The empirical cycle is not the only concept of Babbie (2005), Gravetter and Forzano (2009) which can be applied to the examples. Another concept that can be applied apart from the empirical cycle is the concept of authority. Carney (2009a), who was mentioned earlier in this paper, started out as a strong defendant of the CRA. He did change his mind though, relying on, among others, the FED Governor Meyer. Since Carney used a quotation of Meyer, it can be concluded that Meyer is a person with authority and strong references in the field of economics.Babbie, Gravetter and Forzano define authority as a person with strong references in certain fields. Authority is used as a source for knowledge and can be referred to. Gravetter and Forzano (2009, p. 11) define rationalism as the search for â€Å"answers by the use of logical reasoning†. This is exactly what Carney (2009b) does to come to the conclusion that the CRA was a cause of the financial crisis. He reasons that the CRA raised the banks’ incentives to provide low-income households with mortg ages. These financial products are now seen as a cause of the housing bubble, which caused the financial crisis.Therefore, Carney concludes, the CRA is a cause of the financial crisis. Theory is described by Babbie (2005, p. 12) â€Å"as a systematic explanation for the observations that relates to a particular aspect of life†. This implies that the argumentations used by Carney (2009a, b), Aalbers (2009) and Kroszner (2009) are parts of different theories as they explain how the CRA caused or did not cause a housing bubble. Conclusion As shown in this paper, there is a huge debate about whether the CRA was a cause of the financial crisis. As Carney (2009b) pointed out, the CRA raised the banks’ incentives to issue risky loans.Critics, however, state that an act passed in 1977 cannot create a housing bubble in the early 21st century. Nevertheless, the act was enforced several times, which implies that an enforcement of the CRA might have a causal relation with the fina ncial crisis. Aalbers (2009) argues also in favor of the CRA: he points out that most subprime mortgages were provided by non-CRA-related institutions. Despite that fact, Kroszner (2009) says there is no reason to believe CRA is not to be blamed. He mentions that the inception of the act increased the demand for mortgages and consequentially, houses.According to Kroszner, this was the start of the housing bubbles. Aalbers on his turn argues that the vast majority of houses bought in Massachusetts was financed with prime mortgages. He concludes that this provides evidence in order for the CRA not be labeled a cause of the crisis. Nonetheless, Aalbers argumentation contains two fallacies. First, he uses inductive reasoning which results in overgeneralization without supportive data. Second, he uses selective observation by ignoring the supply-side of the market. This whole debate fits in the empirical cycle in a way that it started with an observation which was followed by many theses .After the formulation of these theses they were tested by logical reasoning and correlation. As a final step, new theses theories will be formulated. However, this step is obstructed heavily by a lack of data. Other concepts of Babbie (2005), Gravetter and Forzano (2009) can also be applied to the examples. Meyer has authority in Carney’s argumentation, logical reasoning is used by Carney to come to the conclusion that the CRA was a cause of the crisis and the argumentations used by Carney, Aalbers and Kroszner are all parts of theories, described by Babbie, Gravetter and Forzano.References Aalbers, M. (2009). Why the Community Reinvestment Act cannot be blamed for the subprime crisis. City & Community, 8 (3): 346-350. Babbie, E. (2005). The Basics of Social Research (3rd ed. ). Belmont: Thomson Wads worth. Braunstein, S. (2008). The Community Reinvestment Act, 13 February 2008. Retrieved 20 January 2010 from: http://www. federalreserve. gov/newsevents/testimony/braunste in20080213a. htm Carney, J. (2009a). Here’s how the Community Reinvestment Act led to the housing bubble’s lax lending, June 27, 2009. Retrieved 15 January, 2010 from ttp://www. businessinsider. com/the-cra-debate-a-users-guide-2009-6 Carney, J. (2009b). Sorry, folks, the CRA really did require crap lending standards, June 23, 2009. Retrieved 15 January, 2010 from http://www. businessinsider. com/sorry-folks-the-cra-really-did-require-crap-lending-standards-2009-6 FFIEC, (n. d. ). Community Reinvestment Act. Retrieved 20 January 2010 from: http://www. ffiec. gov/CRA/ Foote, C. , Gerardi, K. , Goette, L. & Willen, P. , (2008). Journal of Housing Economics, 17: 291-305. Retrieved 19 January 2010 from: http://www. sciencedirect. om/science? _ob=MImg&_imagekey=B6WJR-4TN0KW9-1-N&_cdi=6885&_user=499911&_orig=search&_coverDate=12%2F31%2F2008&_sk=999829995&view=c&wchp=dGLbVtb-zSkzk&md5=f93e4616adcb03662bac8ef89298dcdc&ie=/sdarticle. pdf Gravetter, F. & Forzano, L. (2009). Research Methods for the Behavioral Sciences (3rd ed. ). Belmont: Wadsworth Cengage Learning. Kroszner, R. (2009). The Community Reinvestment Act and the recent mortgage crisis. Retrieved 15 January, 2010 from http://www. frbsf. org/publications/community/cra/cra_recent_mortgage_crisis. pdf

Network security through quantum cryptography

Abstraction:Quantum cryptanalysis provides a secure means for administering secret keys between two parties on an optical web. A alone characteristic of the technique is that the secretiveness of the keys is independent of the resources available to a hacker. In peculiar, their secretiveness does non trust upon a hard mathematical job that could be solved, or a cagey algorithm that could be cracked or even some clever hardware that might one twenty-four hours be reverse engineered. In this study we focus on quantum cryptanalysis protocols and onslaughts.Introduction:Quantum Cryptography or Quantum cardinal distribution ( QKD ) takes advantage of certain phenomena that occur at the subatomic degree, so that any effort by an enemy to obtain the spots in a key non merely fails, but gets detected as good. Specifically, each spot in a cardinal corresponds to the province of a peculiar atom, such as the polarisation of a photon. The transmitter of a key has to fix a sequence of polarized photons, which are sent to the receiving system through an optical fibre or a similar medium. In order to obtain the key represented by a given sequence of photons, the receiving system must do a series of measurings. A few accounts are necessary before the full deductions of this process can be understood. A photon is an simple atom of visible radiation, transporting a fixed sum of energy. Light may be polarized ; polarisation is a physical belongings that emerges when visible radiation is regarded as an electromagnetic moving ridge. The way of a photon ‘s polarisation can be fixed to any desired angle ( utilizing a polarizing filter ) and can be measured utilizing a calcite crystal.History:The roots of quantum cryptanalysis are in a proposal by Stephen Weisner called â€Å" Conjugate Coding † from the early 1970s. It was finally published in 1983 in Sigact News, and by that clip Bennett and Brassard, who were familiar with Weisner ‘s thoughts, were ready to print thoughts of their ain. They produced â€Å" BB84, † the first quantum cryptanalysis protocol, in 1984, but it was non until 1991 that the first experimental paradigm based on this protocol was made operable ( over a distance of 32 centimetres ) . Aiming to make a web society that is safer and more convenient, Mitsubishi Electric ‘s encoding engineerings are altering the twenty-first century for the better. The secret to implementing quantum cryptanalysis is the usage of current optical fiber webs. Mitsubishi Electric has developed quantum-level engineering that enables the sensing of individual photons going through a long-distance fiber-optic communications link. This has made possible the successful execution of quantum cryptanalysis over a distance of 87 kilometres ( tantamount to the distance between Tokyo and Mount Fuji ) , a universe record. Furthermore, by uniting quantum cryptanalysis with current encoding engineerings like MISTY, it will be possible to offer high-velocity public presentation every bit good as forestalling eavesdropping.What is quantum cryptanalysis?Quantum cryptanalysis provides agencies for two parties to interchange coding key over a private channel with complete security ofcommunication. Qua ntum cryptanalysis uses individual photons of visible radiation to administer keys to code and decode messages. Because quantum atoms are changed by any observation or measuring, even the simplest effort at spying on the web interrupts the flow of informations and qui vives decision makers.Principle of Quantum CryptographyQuantum cryptanalysis solves the cardinal distribution job by leting the exchange of a cryptanalytic key utilizing conventional cryptanalysis algorithms between two distant parties with absolute security, guaranteed by the Torahs of natural philosophies. Therefore â€Å" quantum cardinal distribution † can be named as quantum cryptanalysis. Quantum cryptanalysis exploits the fact that harmonizing to quantum natural philosophies, the mere fact of encoding the value of a digital spot on a individual quantum object perturbs it in an irreparable manner, because the eavesdropper is forced to detect it. This disturbance causes mistakes in the sequence of spots exchanged by the transmitter and receiver. By look intoing for the presence of such mistakes, the two parties can verify whether their key was intercepted or non. That is why this engineering is used to interchange cardinal and non valuable information. Once the key is validated, it can be used to code informations. Quantum natural philosophies allows to turn out that interception of the key without disturbance is impossible.Quantum cryptanalytic protocols:BB84 PROTOCOL:A photon which is rectilinearly polarized has a polarisation way at 0 or 90 with regard to the horizontal. A diagonally polarized photon has a polarisation way at 45 ° or 135 ° . It is possible to utilize polarized photons to stand for single spots in a key or a message, with the undermentioned conventions: That is to state, a polarisation way of 0 ° or 45 ° may be taken to stand for binary 0, while waies of 45 ° and 135 ° may be taken to stand for binary 1. This is the convention used in the quantum cardinal distribution strategy BB84. BB84 is a quantum cardinal distribution strategy developed by Charles Bennett and Gilles Brassard in 1984. The protocol is demonstrably unafraid, trusting on the quantum belongings that information addition is merely perchance at the disbursal of upseting the signal if the two provinces we are seeking to separate are non extraneous. It is normally explained as a method of firmly pass oning a private key from one party to another for usage in erstwhile tablet encoding.Description:Note that the spot Bi is what decides which footing Army Intelligence is encoded in ( either in the computational footing or the Hadamard footing ) . The qubits are now in provinces which are non reciprocally extraneous, and therefore it is impossible to separate all of them with certainty without cognizing B. Alice sends over a public quantum channel to Bob. Bob receives a province, where represents the effects of noise in the channel every bit good as eavesdropping by a 3rd party we ‘ll name Eve. After Bob receives the twine of qubits, all three parties, viz. Alice, Bob and Eve, have their ain provinces. However, since merely Alice knows B, it makes it virtually impossible for either Bob or Eve to separate the provinces of the qubits. Besides, after Bob has received the qubits, we know that Eve can non be in ownership of a transcript of the qubits sent to Bob, by the no cloning theorem, unless she has made measurings. Her measurings, nevertheless, hazard upseting a peculiar qubit with chance ? if she guesses the incorrect footing. Bob returns to bring forth a twine of random spots b ‘ of the same length as B, and so measures the twine he has received from Alice, a ‘ . At this point, Bob announces publically that he has received Alice ‘s transmittal. Alice so knows she can now safely announce B. Bob communicates over a public channel with Alice to find which Bi? b'i are non equal. Both Alice and Bob now discard the qubits in a and a ‘ where B and B ‘ do non fit. From the staying K spots where both Alice and Bob measured in the same footing, Alice indiscriminately chooses K / 2 spots and discloses her picks over the public channel. Both Alice and Bob announce these spots publically and run a cheque to see if more than a certain figure of them agree. If this cheque passes, Alice and Bob proceed to utilize information rapprochement and privateness elaboration techniques to make some figure of shared secret keys. Otherwise, they cancel and start over.The stairss in the process are listed below:Alice generates a random binary sequences.Alice chooses which type of photon to utilize ( rectilinearly polarized, â€Å" Roentgen † , or diagonally polarized, â€Å" D † ) in order to stand for each spot in s. We say that a rectilinearly polarized photon encodes a spot in the R-basis, while a diagonally polarized photon encodes a spot in the D-basis. Let b denote the sequence of picks of footing for each photon.Alice uses specialised equipme nt, including a light beginning and a set of polarizers, to make a sequence P of polarized photons whose polarisation waies represent the spots in s.Alice sends the photon sequence P to Bob over a suited quantum channel, such as an optical fibre.For each photon received, Bob makes a conjecture as to whether it is rectilinearly or diagonally polarized, and sets up his measuring device consequently. Let B ‘ denote his picks of footing.Bob measures each photon with regard to the footing chosen in measure 5, bring forthing a new sequence of spots s ‘ .Alice and Bob communicate over a classical, perchance public channel. Specifically, Alice tells Bob her pick of footing for each spot, and he tells her whether he made the same pick. The spots for which Alice and Bob have used different bases are discarded from s and s ‘ .Examples:Let ‘s see the followers scenario, illustrated in Figure 1: Alice and Bob are linked together via a noiseless optical fibre. Eve, the eav esdropper, is capable of doing measurings on single photons go throughing through the fibre. See the instance in which Alice wants to pass on the binary sequence 00110 to Bob through this apparatus, utilizing BB84. Alice and Bob perform the stairss described in the old subdivision, detailed below. The inquiry Markss indicate spot places for which measuring will bring forth a random consequence ( 0 or 1 with equal chance ) . The whole procedure is illustrated in Figure 2, where alternatively of inquiry Markss.Alice prepares the binary sequence s = 00110, portion of which will be used subsequently as the common cryptanalytic key with Bob.Alice chooses a sequence of encoding bases at random, say b = RDRDD. ( Remember: â€Å" Roentgen † = rectilineal polarisation ( 0A ° or 90A ° ) ; â€Å" D † = diagonal polarisation ( 45A ° or 135A ° ) .Alice encodes s utilizing the bases B, to bring forth the sequence of photons with several polarisations 0A ° , 45A ° , 90A ° , 135A ° , 45A ° .Eve makes a random pick of measuring bases, eb = RRDDD.Eve intercepts each photon and measures it with her pick of footing, bring forthing a sequence of spots es = 0-10.Eve substitutes the ph otons she has intercepted, by encoding the spots obtained in the old measure with the bases chosen in measure 4. This is known as an â€Å" intercept-resend † onslaught.Bob receives the photons placed on the optical fibre by Eve, and measures them with a set of randomly chosen measuring bases b ‘ = RDDRD, obtaining eventually a sequence of spots s ‘ = 0-0.Alice and Bob compare their picks of footing and observe Eve ‘s presence with the 2nd spot, for which they used indistinguishable bases but obtained different spot values ; they discard the 3rd and 4th spot, go forthing s = 000 and s ‘ = 0? 0.The sequence of stairss in the BB84 quantum cardinal distribution strategy, in the presence of an eavesdropper. For the 2nd and 3rd spot in this illustration, Eve makes an wrong pick of measurement footing, indicated with ruddy coloured text. Bob makes an wrong pick of footing for the 3rd and 4th spot, likewise indicated in ruddy. For the 2nd spot, although Bob h as chosen the right footing ( D ) , the result of measuring does non fit the original spot encoded by Alice – this allows Alice and Bob to observe Eve ‘s presence.Attacks:In Quantum Cryptography, traditional man-in-the-middle onslaughts are impossible due to the Observer Effect. If Mallory efforts to stop the watercourse of photons, he will necessarily change them. He can non re-emit the photons to Bob right, since his measuring has destroyed information about the photon ‘s full province and correlativities.If Alice and Bob are utilizing an entangled photon system, so it is virtually impossible to commandeer these, because making three embroiled photons would diminish the strength of each photon to such a grade that it would be easy detected. Mallory can non utilize a man-in-the-middle onslaught, since he would hold to mensurate an embroiled photon and interrupt the other photon, so he would hold to re-emit both photons. This is impossible to make, by the Torahs o f quantum natural philosophies. Because a dedicated fibre ocular line is required between the two points linked by quantum cryptanalysis, a denial of service onslaught can be mounted by merely cutting the line or, possibly more sneakily, by trying to tap it. If the equipment used in quantum cryptanalysis can be tampered with, it could be made to bring forth keys that were non unafraid utilizing a random figure generator onslaught. Quantum cryptanalysis is still vulnerable to a type of MITM where the interceptor ( Eve ) establishes herself as â€Å" Alice † to Bob, and as â€Å" Bob † to Alice. Then, Eve merely has to execute QC dialogues on both sides at the same time, obtaining two different keys. Alice-side key is used to decode the incoming message, which is reencrypted utilizing the Bob-side key. This onslaught fails if both sides can verify each other ‘s individuality. Adi Shamir has proposed an onslaught which applies at least to polarisation strategies. Rather than try to read Alice and Bob ‘s individual photons, Mallory sends a big pulsation of light back to Alice in between familial photons. Alice ‘s equipment necessarily reflects some of Mallory ‘s visible radiation. Even if the transmission equipment is dead black it has some little coefficient of reflection. When Mallory ‘s visible radiation comes back to Mallory it is polarized and Mallory knows the province of Alice ‘s polarizer.Applications:Confidentiality of web communications, for illustration, is of great importance for e-commerce and other web applications. However, the applications of cryptanalysis go far beyond simple confidentialityCryptanalysis allows the web concern and client to verify the genuineness and unity of their minutess.Sensitive information sent over an unfastened web may be scrambled into a signifier that can non be understood by a hacker or eavesdropper utilizing an encoding algorithm, which transforms the spots of the message into an unintelligible signifier.There are many illustrations of information on unfastened webs, which need to be protected in this manner, for case, bank history inside informations, recognition card minutess, or confidential wellness or revenue enhancement records.Secure Video Conferencing can be achieved by Quantum Cryptography.Long-distance communications with quantum encodingWe find applications of quantum cryptanalysis in Government and Military Fieldss.The most straightforward application of quantum cryptanalysis is in distribution of secret keys.Another potentially applicable country of application is cryptanalysis: It is possible to build quantum channels that are immune to listen ining.We use quantum cryptanalysis to procure voice informations watercourse.Decision:Before two parties can direct information firmly, they must first exchange a secret key. This nevertheless presents a qu andary, sometimes called the ‘Catch 22 of Cryptography ‘ – how can the two parties exchange a cardinal in secret before they can pass on in secret? Even if the transmitter and receiving system found a channel that they believed to be unafraid, in the yesteryear there has been no manner to prove the secretiveness of each key. Quantum cryptanalysis solves this job. It allows the transmitter and receiving system to prove and vouch the secretiveness of each single key.Mentions:Cambridge Research LaboratoryScientific American magazine ( January 2005 issue )V. Makarov, D. Hjelme, Faked states on quantum cryptosystems, J. Mod. Opt. 45, pp. 2039-2047, 2001.T. Kum, I. Stork, F. N. C. Wong, J. H. Shapiro, Complete physical simulation of the entangling-probe onslaught on the BB84 protocol, arXiv.org,2006.Basicss of Network Security, PHI

Definition of Literature Essay

Literature is an outlet of escape from reality. At the end of the day, I open a book and allow the story to take me to a world where my own fades into a distant memory. With every turn of a page, my imagination is free to reinvent a narrative that is better than the reality I live. Literature can be non-fiction and based on facts surrounding real events, people, and places. Examples include history books, memoirs, biographies, newspapers, self-help, devotionals, and textbooks. Literature can also be writings based not on truth, but on the imagination and creativity of the author. This includes fiction novels and children story books. A lot of times authors of fiction will get their idea from a real life event and then they allow their imagination to recreate the characters and plot. Aside from being fiction or non-fiction, literature can also fall into different categories according to the genre, purpose, and style. Some genres include romance, science fiction, Christian, suspense, and western. The authors purpose for writing will likely determine what style and genre they will use. Poetry and drama are forms of literature that are stylistically different from other writings. Every writer wants to engage their audience and capture their attention in order to convey a message. The meaning of the text may hold differing messages within the audience, but it is the goal of the author to captivate the reader and keep them wanting to read more. John Smith wrote historical accounts of life while he was living. His writings brought insight and hope regarding English settlement during the early 1600s. The General History of Virginia is difficult to comprehend in areas because I am unfamiliar with his use and style of language, but nonetheless it is a beautifully written piece of literature. John Smith’s targeted audience was most likely the people of his time, with the goal of informing them of recent events. I appreciate the way he portrays the struggles of daily life realistically and in a way that inspires and intrigues. William Bradford was not formally educauted, yet he was a wise and well-read man. His writings spread throughout the world and have been studied and quoted by many. As with most of the literature from his time period, Bradford’s style is simple, but he writes with such conviction that demands the attention and respect of the reader. Bradford was a man of faith and often expressed this in his writing. In Of Plymouth Plantation he often refers to God’s providence and makes continuous references to God. Bradford may refer to God more than any other author in this colonial unit. Anne Bradstreet was a powerful force in literature during the 1960s because she was one of the first recognized women poets. Centuries later she is a revered writer and her poetry remains enchanting. â€Å"Thou ill-formed offspring of my feeble brain†¦Ã¢â‚¬  is the opening line to her poem The Author of Her Book and illustrates just how feeble her brain is not. She has the unique capacity to use words to express herself so creatively and with so much emotion. To My Dear and Loving Husband is a great romantic poem that I admire. Bradstreet’s style reminds me slightly of my own. However I need more experience and practice to become nearly as talented as she. Upon the Burning of Our House reminds of my own experience of a house fire and has inspired me to attempt to capture my experience through poetry. Through all Anne Bradstreet’s work, she inspires others to recognize the beauty and power in writing. Edward Taylor was a highly educated, well respected, and devout religious man who used poetry as a private expression of his faith. He did not seek fame or recognition for his writing, rather just the pleasure it brought him. Taylor writes of God beautifully and is a master of creating moving and emotional works of art without intending to. As with most poets, Taylor and Bradstreet used metaphors and had a personal style unique from others. There is also an overflowing of emotion from both Taylor and Bradstreet within all their writings. William Byrd was a very accomplished man of his time. He was well educated, respected, and prosperous. His most famous writings are the journals that he wrote to describe day to day life. In The History of the Dividing Line I was able to pick up on the humor that has lead Byrd to be one of the first distinct comedic writers. The humor is not â€Å"pee your pants funny† rather it is more light-hearted humor that makes the reader smile. It is evident in his writing that Byrd was indeed well-read. A writer is capable of learning a great deal about language, word usage, and style through reading. Byrd’s style is simple, yet he articulates his message very well and although he wrote for himself, he managed to write in a way that would capture an audience’s attention. Jonathan Edwards was an intelligent man of God who served as a preacher. As an author, he wrote popular sermons and other serious works on religion, metaphysics, and philosophy. Edwards’ style of writing is quite different from other authors in this unit because unlike the others he gives the reader an array of possible positions for the topic he is presenting. In the sermon Sinners in the Hands of an Angry God, Edwards develops his view on destruction and punishment from verses in Deuteronomy. Not only does he explain how he interprets the scripture, he also gives other possible views. St. Jean De Crevecoeur wrote about religion but he did not profess or maintain that he believed in God. He was a well-educated humanitarian who served his people and country. I found Letters from an American Farmer difficult to get through because his style of writing is unexciting. I was also turned off by the way he wrote about certain topics particularly African American issues. Crevecoeur was not a racist man, but he lacked some sensitivity in discussing his unique view on negroes and parenting. He believed that negroes should not continue having children because if they did misery would undeniably result for themselves and their offspring. I understand that he is referring to slaves and perhaps even slaves may have wished to not have children in order to save future generations from being forced into slavery. Crevecoeur surprised me with the boldness in his writing. The progression of writing from Smith to Crevecoeur is interesting to track and there are noticeable changes in language and word usage. As defined earlier, literature to me is written art that engages my imagination and takes my mind away from reality. Not every piece of literature will bring me the pleasure of leaving my own world for a moment and that does not mean the author has failed. Genre plays an important role in this element of the definition. For example the writings from the colonies unit are primarily non-fiction history writings that are meant to inform more than entertain. Anne Bradstreet is an exception. As the writer of poetry, her style is most obviously different from the more serious and constructed essays of the other writers. Every writer has a style that is unique, however one similarity in the colonial writings is the purpose of the author’s writing. Many of the writers were writing for the sake of recording daily life and making historical accounts of slavery, war, and developing colony life. Centuries later, authors such as Smith, Bradford, Bradstreet, Taylor, Edwards, and Crevecoeur are recognized as masters in the field of writing. Writers during the establishment of the colonies wrote simple, yet serious and powerful pieces of art. They have a style of writing and voice that still captures the hearts of readers.

Sleep Essay Example | Topics and Well Written Essays - 500 words

Sleep - Essay Example Sleep might be a way through which brain recharging is achieved. Also, brains have an opportunity to shut down as well as ensure repair of neurons and on the other hand exercise essential connections of neurons, which may otherwise become compromised due to activity deficiency. Sleep grants brains that vital chance to make a reorganization of data to aid in finding a solution to a predicament, process newly obtained information as we as re-organize and save memories. Sleep declines human rate metabolism and also the consumption of energy. In both children and also young adults, hormones of growth are released while sleeping. However it is vital to note that circadian rhythms greatly influence the timing, amount and quality of sleep. (sleepdex.org, 2011) Even prior to human knowledge about what biological clock entails, it was human knowledge that some humans are ‘morning persons’ or ‘evening persons’. This is, in other words, genetic. Evening persons take a longer time period in their rhythm of circadian hence they do not sleepy as time to sleep approaches. (Pihlajamaa-Glimmerveen. 2005) Average human adults require around an eight-hour sleep. Children still growing requires more hours. Deprivation of sleep has been portrayed to shorten the life span. Lack of sleep leads to; memory predicaments, immune responses, lower levels temperatures, and swings of moods.

Head Collaborative Cultures and Organizational Competence Article

Head Collaborative Cultures and Organizational Competence - Article Example The informal coming allows teachers to improve teaching and learning. The author concludes that collaborative culture is based on close cooperation between all members of the group and team. Also, Sergiovanni underlines the importance of leadership and management in teaching practice. Teachers and administrators need to recognize where they fit in and what it takes to get along in this culture and the society (institutions, roles, relationships, structures) which has arisen from and in turn affects this culture. A special role played by division directors who control and manage all resources and teaching process.     Ã‚  Ã‚   The main principles of successful organizing are the principle of cooperation, the principles of empowerment, the principle of accountability and the principle of responsibility.  Ã‚   From this perspective, schooling is at heart a cultural-social event and only makes sense if the cultural circumstance, over time, including projections into the future, is taken into account. All this is to say that often what is going on in education is school people talking to one another with inadequate attention to what America is about or where America has come from. It is important to stress this commitment to freedom because we have grown up in a time in which there has been both political and social concern for issues of social justice and equity of treatment and outcome. Also important is the ability to take powerful action alone and in collaboration with others. Without efficacy, without the ability to make things happen, an individual is not free. Opportunity and capacity are important ingredients of successful performance. These factors are supported and related to such issues as trust among group members, group identity, and group efficiency. The author sums up that team approach is successful because it helps to maintain trust and cooperation atmosphere among all members.   Individualism, in sum, encourages one to be the one-of-a-kind person he or she is. But important to remember, in this culture individualism is more a matter of extending an invitation and granting of an opportunity than providing assurance that one will actually live out one's uniqueness. At best, education in this country is of a kind that encourages and contributes to the development of individual persons, not walking cliches or interchangeable cogs in a social/cultural machine.

How doest the internet affect the teen age generations Research Paper

How doest the internet affect the teen age generations - Research Paper Example (Christensen and Livingston, 2003 p.786) communication and socialization technologies such as chat rooms, instant messaging, text messaging as well as personal webs and social web sites has provided the teenagers to reach to diverse sources of opportunity and knowledge (Wakefield and Rice, 2008, p.21). This is a positive impact and has changed the mode of communication and socializing among the teenagers as they seek opportunities and knowledge with the least time and cost. However, these opportunities have come with their challenges. While we embrace the new technology and its impact on the communication and socialization arena, it is important for the concerned agencies and learning institution to provide guidance to the teenagers. This is because the new technology has not only come with lots of benefits to the youths, but it has also been accompanied by other negative impacts. This is because the technology is free and there is no screening of information so that the right inform ation is passed to the right person at the right time. The teenagers have therefore accessed certain information that are not meant to them at this age and hence has influenced their social behavior, moral behavior, and personality, emotional, intellectual, physical and spiritual development (Wakefield and Rice, 2008, p.1). ... It has resulted to the teenager’s preference to socialize and communicate online rather than communicate in person. According to Christensen and Livingston (2003 p.787), affordable internet technology has increased the level of interaction through facebook or twitter rather than communication and interaction within the public social places, institutions or just along the streets. The advancement in mobile phone internet technology has made it very simple for the individuals to interact at any time and place. Availability of facebook mobile has even increased the rate at which the teenagers socialize online and hence it is possible to learn from the other person in the shortest time possible. However, this development and increasing communication and socialization have resulted into the development of individuals who lack personality. Interaction on the internet has resulted into the teens growing but lack important social skills and hence may not communicate effectively with t heir peers (Wakefield and Rice, 2008 p.2). Development of social skills is however very important at this stage of development. Since teenagers mainly consist of adolescents and emerging adulthood, it is important to note that they are undergoing cognitive development which is vital for their social well being. Personality development is vital at this stage since because it would influence the individuals in the future. However, social sites like MySpace and facebook does not provide the opportunity for the individuals to face social challenges while interacting hence it is difficult for the teenagers to develop the socializing skills that are important for healthy interaction with their peers (Christensen and Livingston, 2003 p.788). Close communication

Financial Reporting Research Paper Example | Topics and Well Written Essays - 1500 words

Financial Reporting - Research Paper Example e we need to distinguish between cash and profits, and to determine the usefulness of information provided in balance sheet and income statements in the problem of deciding whether a company, has or will be able to generate sufficient cash to finance its operations. Cash flow in a company leads to the following items; Cash from cash in cash out cash goes: Profits Losses Sale of fixed assets Purchase of fixed assets Decrease in stock increase in stock Decrease in debtors increase in debtors Capital introduced drawings Received loan Paid loans Increase in creditors Decrease in creditors Dividend received Dividend paid Interest received Interest paid In our case, profit from operations before interest and tax of 1654 has overstated profits. We need to deduct interest and tax to get the real value of profit after tax and interest. An increase in inventories reduces cash balance as well as increase in trade receivables. Depreciation is an expense charged on the asset. It does not affect cash balance in the firm. An increase in trade payables increases cash inflow. This gives a balance from operations of 1377. Interest paid and income tax paid reduces cash balance too. At the end of the day, net cash from operating activities is overstated by depreciation and profit before tax and interest. A company's performance are realistical and do not depend so much on profits earned in the period but on liquidity of cashflows International Accounting Standards 7 "provides information to users of financial statements about cashflows of a company. It provides information on ability of the company to generate cash and cash equivalents. It also indicated cash needs for the enterprise. The standards provides that cash...Depreciation is an expense charged on the asset. It does not affect cash balance in the firm. An increase in trade payables increases cash inflow. This gives a balance from operations of 1377. Interest paid and income tax paid reduces cash balance too. At the end of the day, net cash from operating activities is overstated by depreciation and profit before tax and interest. A company's performance are realistical and do not depend so much on profits earned in the period but on liquidity of cashflows International Accounting Standards 7 "provides information to users of financial statements about cashflows of a company. It provides information on ability of the company to generate cash and cash equivalents. It also indicated cash needs for the enterprise. The standards provides that cash needs for the activities, investing activities and financing activities" These are accounts of two companies that are combined into one account. This happens when one firm acquires one or more other companies. This is mainly for a business combination a company acquires control of one or more enterprises. They combine into one entity as a whole therefore profit and loss accounts are combined into one. This is where o

Mis 2200 Essay Example | Topics and Well Written Essays - 500 words

Mis 2200 - Essay Example Huber was absent. Ability to Work with Others—Tom is comfortable in a role as an individual contributor and highlights his knowledge and experience when working with others. In a managerial capacity, Tom can readily assume authority, and he might be even more effective if he were to work on his approach and be more collaborative and less dictatorial. Due to confidence in his knowledge and experience, Tom may have overstepped his authority on occasion. General Knowledge of Business Operations—Tom has worked in Mason’s Appliance Department for the past twelve years. He is the most senior staff member on the team, and his experience as an interim manager has provided additional insight into the business operations. Leadership—Carol has subtle leadership experience. She was a high school teacher for several years, and leads by example in her current role with Mason’s. While Carol definitely has capacity in this area, there appears to be an opportunity for her to grow into a stronger leader. A report of disciplinary problems in her classroom when she was teaching and her general willingness to take on any task without challenging the necessity of the task highlight this opportunity. General Knowledge of Business Operations—Carol has worked in Mason’s Appliance Department for the past four years. She has solid knowledge of the operations and given her willingness to take on all tasks assigned has broad experience of the intricacies in the department. Leadership—Don’s leadership experience is largely informal. He was captain of his track team in college and leads by example in the positions that he has held. Don has been working on a master’s degree in marketing which gives him a solid understanding of leadership concepts and principles. Ability to Work with Others—Don is professional and likable. His personality would compliment others in the department and he appears approachable. Don’s resume indicates a

Computer Technology and the Networked Organization Assignment

Computer Technology and the Networked Organization - Assignment Example This paper outlines that many businesses employ a specialist to launch their computer surrounding and then depend on internal staff to keep it running.   An Enterprise networks have thousands of end-users and comprises of wide-area network links, mainframe systems, complex array of servers and the like. An enterprise network serves various geographical settings and numerous buildings at each site. It is typical of an enterprise network comprising of numerous networking devices. An enterprise network depends on a backbone network that canals data between sites and local area networks at each location. According to the paper an enterprise network uses refined equipment that must be handled by highly skilled network administrators. Smaller businesses have more uncertain computing and networking specification depending with the clients. The business will purchase a couple of computers and a laser printer. The network for the medium-sized food store must permit its employees to share in formation, resources such as printers and other peripherals. The networking requires a single LAN with one server, using off-the-shelf components. Network structure design is compulsory for any computer network, whether it is small business or home network. The network structure is designed earlier prior linking and installing the software and hardware components. We collect supplies and make a strategy to evade from imminent problems and outline a safe and dependable computer network.  

Persepolis by Marjane Satrapi Essay Example | Topics and Well Written Essays - 1250 words

Persepolis by Marjane Satrapi - Essay Example The author’s transformation leads to the growth of her inquisitive nature as she gets to question some of the various issues that surround her life. It is through this rebellious streak that the reader gets to appreciate the author’s transformation. This is especially because the time, in which these private changes were taking place, the region was facing tumultuous and incredibly dangerous disruptions (Satrapi, 2004). This paper will examine the novel, and help bring out aspects of the book that might make a difference in the lives of people. The author indicates in the novel that she happened to be the granddaughter of an emperor in Iran. As she tries to comprehend the extent of such novelty, she grows up trying to also understand the complexities of the life she lives. The author works on divulging information about rebellion in the lives of people around her, and the societies in which she lived. It is in the book that the reader gets to comprehend the nature of th e region, and some of the upheavals it was going through as it transitioned through the boundaries individuals created for themselves and others (Satrapi, 2004). Persepolis tries to delve into some of the issues that affect societies in modern times. It is through the book that people are made aware of their natures, and how to get about life minding others. The book tries to bring to reality the major themes that occurred in the region back then, but that may still be affecting society in present times. However, this is for the reader to conclude after completing the novel. The book sheds some light on the differences that exist between the lives that people lead on the outside, while living contradictory lives privately. The case of the author’s parents could be the perfect example. They talk of how evil the regime was, and they try to express their rebellion in their home. This is done by drinking wine and supplying their daughter with posters from famous people that were not from their world (westerners) (Satrapi, 2004). The upheaval saw changes take place that may not have necessarily been welcome in the region by people who were content with what they had, that is; safety and comfort in their beliefs and customs. Also, the different reasons behind rebellion can be found in the book as the author tries to claim that the presence of knowledge or even fear could be motivators for people to rebel. The revolution in Iran came about as a result of the difference in social class. There were tremendous gaps between the rich and the poor, which the author insinuates that she often felt ashamed of, especially when she was in her father’s Cadillac. The author tries to bring to the reader the diverse points of view that were held by different people present in her life, for instance; her grandmother, her parents, and outside society. This is done in an effort to bring forth all the sides of the story, and not just placing judgments on certain groups of people, or try to decide who might have had it better or worse. The historical perspective is the aspect that is brought out by the author (Satrapi, 2004), whose humor and alternating tone assists in bringing out the seriousness of the issue that rocked the region in the twentieth century. Violence, religious persecution, corruption, and even torture are themes which are recurring in the novel. They are themes that are seen through the eyes of a child (younger Marjane), while the humor she displays tries to create the sanity that is

Finding the Right Apartment Essay Example for Free

Finding the Right Apartment Essay So you are ready to take a leap of faith and branch out on your own, into the world and embrace your new found freedom by renting an apartment. That is fantastic, but first you may need help with choosing the apartment that best suits you, your lifestyle and most importantly, your budget. This is all a fairly easy project to accomplish if you know what you are doing, but it can also be very time consuming and stressful if you do not know what you are doing while also juggling a full time job. First, you have to locate a few different apartments to be able to choose the one you love. Start by doing some research on the internet. Also, ask around your community if you plan on staying in the current area you are in now. Make sure to read the local newspapers as well. If you have children, research apartment communities closet to their school. If you have pets, find apartments that will accommodate them. Research the area to see if you are near a bus line, a taxi service or within close proximity to your family and friends, should you ever need a ride to and from work due to car troubles. After that, try your best to narrow your list down to three or four apartments. Next, meet with the leasing agents for each of the apartments you want to view. Make sure you take a good look around and see everything they have to offer. Ask what type of amenities the complex has to offer. For example, do they have a gated entrance, 24 hour gym, a pool, a spa or sauna, playground area, garages for rent and/or laundry mat services on site? When inside the actual apartment, check to make sure how many bedrooms will be beneficial to you. Make sure there is enough closet and cabinet space for all of your belongings. Ask any and all questions. Be sure to ask about alarm services if you notice an alarm system built in. Ask if everything is gas or electric powered and if it has central heating and air. Ask what utility companies they use. You may be able to transfer over your previous services if they use the same ones. If you do not like the current color of the walls, ask if you can paint over them, as long as you paint them back or prime them upon move out. Also, decide if you want a bottom or top floor and ask if your preference is available. Of course, problems and hurdles may arise, but with honesty and careful consideration of the initial problem, you can overcome the problems. Some problems that may arise are bad information on your background check that will stall the rental process. Be honest with them and they may be willing to work with you under the circumstances. Another hurdle could be unexpected problems with your finances. In this case, you will need to sit down. Go over your finances and make cuts on what you do not need and factor in what you do need. Play around with the numbers until you have comfortably figured out your living expenses. You may end up being one of the lucky ones and have a â€Å"smooth sailing† through the entire rental process, but if you do not, take it one step at a time until you have overcome any and all obstacles. Once you have decided upon the right apartment complex for you, you will need to sign a lease. Before your sign the lease and pay all your deposit and application fees, ask if your deposit is refundable. Also ask if they give application fee discounts if you are a college student. Decide the lease length you need and ask if they offer month to month, a 3 month, 6 month, 12 month or 18 month lease. Ask if the lease is a done locked deal or if you can break the lease say you should have to move away. Remember that no question is a wrong question, so ask anything that comes to mind. After you sign that lease, congratulations, you are now an adult with your very own place. Living on your own can be difficult at times but it is very rewarding and empowering and it helps to boost your confidence and self esteem. Knowing you have truly stepped into your own skin and into true adulthood is one of the greatest satisfactions you may experience in your young life. Taste it, savor it and enjoy it. You deserve it!

Darkness in Poe, Hawthorne, Melville and Dickinson Essay Example for Free

Darkness in Poe, Hawthorne, Melville and Dickinson Essay E. A. Poe, Hawthorne, Melville and E. Dickinson’s works contain similar elements and images which can be related to the theme of darkness. These authors used these motives as their main subject throughout their works. Some of them led very gloomy and dark life so they used those experiences to utter their feelings by putting them on the paper. These poems and works can come across as kind of morbid at first sight so they will be thoroughly explained in the further text. E. A. Poe was labelled as immoral, crazy and depressive by his contemporaries partly because of his most famous poem â€Å"The Raven†. Many of them considered Poe’s behaviour insane when actually he was just a version of Romantic period moody hero like Byron, Keats and Shelly, yet today those â€Å"insane† people are called artists. His works were marked as spooky, spine-tingling and most importantly dark. Furthermore, a solid comparison can be made between 19th century horror writer Poe and 21th century horror writer Stephen King. Although centuries have passed the motif of darkness stays present. The Raven is a poem filled with dark, lonely and melancholic symbols. One of them to begin with is Gothic setting of the poem. â€Å"Once upon a midnight dreary, while I pondered, weak and weary, / Over many a quaint and curious volume of forgotten lore†. â€Å"Ah, distinctly I remember it was in the bleak December;/ And each separate dying ember wrought its ghost upon the floor. † It’s almost like today’s readers can see in films. One can picture a small cabin deep in the woods on a cold December night with nothing but one candle and a man like shadow which can be seen through the window. Nevertheless, it is a perfect prelude to a horror movie or in this case to a horror poem. In addition to dark setting there is a dark protagonist, a young man suffering a great amount of pain, more precisely loss of a loved woman. Any human would start to question himself and talk to himself as he did in all of that loneliness and misery, but the only reply he got from the raven is â€Å"Nevermore†. That word is pretty devastating for the man on the edge. The Raven itself is a bad omen, dark one since it gives volume to a dark, spooky, ghostly atmosphere. His black feathers are traditionally considered to be a magic sign of something evil, rotten and ill. For the tone Poe is looking for, the raven is perfectly suitable bird. It looks just like the night it came out of. Yet again the night is another motif in poem which is entirely dark in physical and psychological sense. Night represents mysterious and slightly dangerous power of nature and it fits perfectly in the poem. Poe does not choose to write a horror of a sunny afternoon’s setting. One of the first things one can notice while reading The Scarlet Letter is enormous amount of hypocrisy. The society itself is hypocritical, nothing is white or black, people lie and everyone wears a mask, so that can be interpreted as dark motif. There are many examples of collision of light and darkness throughout the novel. Light is used to describe and emphasize good qualities of a human within or present state of emotions. And on the other hand, dark is obviously opposite of that. For example there is a scene when Pearl turns her head away from bright sunlight after stepping out in her mother’s arms from the dark, gloomy prison. This shows the contrast between light and dark and also evokes pity for the baby and her mother’s imprisonment. â€Å"She bore in her arms a child, a baby of some three months old, who winked and turned aside its little face from the too vivid light of day; because its existence, heretofore, had brought it acquainted only with the gray twilight of a dungeon, or other darksome apartment of the prison. † There is another example of light and dark in Hester’s description of Chillingsworth. She describes him as a devil-like figure with a black soul and eyes burning red like fire. Light and darkness represent change of behaviour and personality in a character and this is one of the best examples of that change. Chillingsworth becomes literally and figuratively dark and continues tormenting Dimmesdale. The forest in the novel is described as dark several times especially in comparison with the town. Everything happening outside of the town is considered to be dark which means sinful. For example, Hester who is a sinner in the eyes of society lives on the outskirts of town in the woods. Society dismissed her and marked her as an outcast. The fact she is living on a border of town and forest shows how certain people thought of her in certain situations. During the night she found refuge in the woods with Dimmesdale and during the day she was a sinner in the eyes of society in the town. The forest was seen as the place of evil by townsmen because it was unknown and mysterious. The wilderness of the forest is compared with the Hester’s moral wilderness. â€Å"She had wandered, without rule or guidance, in a moral wilderness; as vast, as intricate and shadowy, as the untamed forest. In Bartleby the Scrivener by Melville one can use doubling as a dark motif. The first example of doubles is Nippers and Turkey. They act like one person which is shown in the way they live their lives. Turkey is off in the morning because of the alcohol he drank the night before and Nippers is off in the afternoon because of his indigestion due to the lunch he had not so long before. They act like two faces of a coin. The second example and most important one is Bartleby. Melville is evoking him as a kind of phantom double. Descriptions of him represent him as either ghostly or a corpse, â€Å"cadaverous†. His indifference toward anything makes The Lawyer feel guilty and the act of understanding and helping Bartleby is just a way of satisfying his conscience. Isolation is also a dark motif in Bartleby the Scrivener. During the day Bartleby stares at the window facing the wall and during the night he sleeps in his office. In fact, this is a perfect picture of Wall Street and people who were really emotionally imprisoned because of their work. The last author to be explained is Emily Dickinson. She was beyond her time, left all alone in her world with nobody there to understand her. Her life was lonely and that, among all else, resulted in two nervous breakdowns. The poetry she wrote was full of dark and mysterious motives. One of her many poems called â€Å"I’m Nobody, who are you? † can explain the core of Dickinson. Although this poem has element of comic sense to it, it’s not quite as comical as it seems. Here Dickinson has a light tone, childish voice and she invites reader to come to her dark side. The main thesis in this poem is the loss of identity and personality. „Im Nobody! Who are you? / Are you – Nobody – too? / Then theres a pair of us! / Dont tell! theyd advertise – you know! â€Å" She is explaining that there is a pair of them, nobodies and outsiders. The speaker fears to reveal their identity because they will not be anonymous free-thinking â€Å"nobodies† that they have chosen to be. It is not arguable that all of these authors were lonely and filled with pain due to certain tragedies but some of them felt it more than others. If every aspect of their lives is taken in consideration one should give a gold medal in darkness and despair to Poe and Dickinson. Nevertheless, all of them were human with real human emotions and their way of coping with pain was by writing it on a piece of paper. No matter how morbid and depressing these works are, they are works of art. It is important to remember how difficult it is to share your emotions publically and let every individual to interpret it in its own way, maybe even comparing it to its own life experiences. That is the beauty of it.

Chronotopic Identity In Invisible Man English Literature Essay

Chronotopic Identity In Invisible Man English Literature Essay Ralph Ellisons Invisible Man is a novel of deliverance from darkness to light, a resequencer of cognitive awareness and differential patterns of conformity. It rejects imitation, deeming it as nothing more than a form of limitation, a burden hampering the doctrine of artistic creation. The novel appeals to the indirect participation of its readers in determining the mechanisms which constitute a collective conscience, a moral voice which communicates for us and through us. The author commits to his duality as a mainstream educated, patriotic American insider and his often frustrating position as a repressed minority, a victim persecution, the racial outsider. His status has the potential to propagate a significant amount of perceptual liberation as he is granted insight, unrestricted access into both fundamental facets of the American cultural construct. Ellison is an outspoken denouncer of extremism in all of its forms and manners of content, placing great emphasis on accurate depictions and justifiable service control, banishing impulses or other manifestations of emotion which tend to either embellish or diminish the narrative. The novel functions by utilizing a strong internal voice attempting to claim the spoils of jazz and random materialization of captured imagination. Generating the narrative voice is not however an entirely independent endeavor as Ellison must preoccupy himself with exhibitions of intent that mark familiarity in terms of style, character development and literary form. He manages to capture random synchronicities in the fabric of language and tame them under the banner of intention and literary design. Language is thus able to ascend to a tier where it is no longer restricted to simply expressing ideas; it begins to generate independent thought, become the forger of identity as an instrument of both creation and deception. From this standpoint, one is almost obligated to view Ellisons writing as an act of patriotism and national pride. But he is by no means a celebrator of the founding fathers or other such bribers of destiny. He bows to the common man, the carrier of tradition and the giver of love and enlightening humanity. Powerful men are perceived as the enemies of equality and freedom inside the American experiment. This pseudo-communist view and manner of interpreting deeds, individuals and events will trigger an internal conflict inside the mind of Ellison himself who viewed communism as a corrupt and bankrupt ideology and treated it as such, indirectly of course through his portrayal of the Brotherhood in Invisible Man. The perception of Afro-Americans is modulated to encompass not only their immediate predicaments, but also the trigger-elements of their past that had obstructed their development as a group and as individuals. Slavery is the key element inside a shameful national battlefield whose remnants still included segregation, unwarranted racial presuppositions and a lack of equal opportunity and respect. Yet Ellison does not let rage or Black Nationalism get the better of him. His solution for mending the hearts and minds of all parties involved is based on love, tolerance, affirmative action, exploring the elements that unite us rather than embracing those which have the capacity to tear our shared humanity asunder. Ellison is one of Americas gatekeepers of moral history. His influence on the Afro-American novel and the American novel as a whole may have hastened the emergence of the Civil Rights Movement. He carried inside his writing the intellectual turmoil of his generation and set the standard for a new moral and artistic comprehension of 1960s America. His objective was not to portray a coherent image of individual identity, or of black identity but the identity of the American rainbow, the melting pot of intimidating complexity. His verbal flow and communicative fortitude served as a release valve for the creative energies of his countrymen. The great American writer acknowledged Faulkner, Melville or Hawthorne but above all he paid homage to the almost sacred pieces of paper (the Constitution and the Bill of Rights) which had dictated the moral imperatives shaping the beautiful destiny of his beloved America. His patriotism was not uncommon for an individual living in 1940s and 50s Ameri ca; what was oddly inspiring however was the fact that he managed to unreservedly love a country that had at times rejected and humiliated him because of the color of his skin. Invisible Man is a novel of trust and belief in the ideals for which America stands. Had it not been for Ellisons patriotism and trust in Americas pledge of liberty and justice for all his novel would never have been written; because despite his faà §ade of irony and pessimism Ralph Waldo Ellison is a true believer that change will come, that he himself can make a difference through his work and generous humanity. The novelists responsibility and debt to society cannot be overlooked or ignored towards the realm of perdition. Both form and content must coexist and serve the authors creative infrastructure, a convergence hub where literature and democracy become intertwined creating not only mentally endowed characters but also intelligent, opinionated citizens/readers who have the courage and mental clarity t o change society for the better. Imagination does not run its course individually and independently. In Invisible Man for example it responds to the needs and compensative prerequisites of American life. This complex and immensely creative subroutine of the human mind governs the flux of the yet undiscovered or under-discovered recoils of fate, regulates preoccupations of solitude fills in the blanks of our existence as all true creation begins with imagination and if we seek to better ourselves we must first envisage it with our minds inner eye. The protagonist in Invisible Man is meant to become the perfect American citizen but he is still in beta testing. A more congealed version is set to surface after the author has fully experimented with his test dummy and exhausted all potential behavioral simulations generated by his mental resourcefulness. The final version of the character should be very astute in reflecting not just destiny or possibility but also Americas variations and complexity, referring here of cou rse to its cultural heritage, racial, gender and class interactions. Invisible Man must not be approached solely based on its intrinsic value. Like any work of art its dedicated objective is to move, transport or transform even abstract concepts such as democracy or perceptions of freedom. Ellison was well aware of this reality and also mentally converged on the topic of control by the artist versus the readership over the resulting cultural product: the work of art begins to pulsate with those meanings, emotions, ideas brought to it by its audience, and over which the artist has but limited control (Ellison qtd. in Callahan 1995:94). After setting in motion multiple perspectives dealing with creation as an act of control, he attempts a power play through which the author must fully detach himself from his work, set all personal subjectivity aside and become his own personal appraisal specialist by taking on the role of the reader who must objectively assess a work in progress. This creative method is deeply rooted in imagination, and the ability to i mmerse oneself inside a fundamentally different role caresses the realm of empathic intelligence, setting about to comprehend the hidden truths behind socially assigned roles and adaptive, intellectual democracy. The rampant success of Invisible Man ignited a vast whirlwind of undignified criticism and unwarranted, feeble justifications. The fact that the book was well ahead of its time concerning matters of race, gender or social affiliation caught the attention of many critics of that time who were unfortunately locked inside a limited mindset, unable to comprehend a visionary such as Ralph Ellison. They interpreted the defiance of norms, categories and labeling as nothing less than literary, social and cultural heresy. The random, free-flowing, fluid literary style Ellison had perfected from his adaptations of jazz was also deemed precarious, seen as lacking in consistency and proper planning. The writer justly and calmly defended his novel, explaining, justifying and clarifying all issues related to his novel regardless of time constraints or argumentative relevance. His eloquence and patience as well as his ability to enhance predictions partaking in an astonishing pre-revelation of the American collective eventually earned him the praise, respect and recognition he most undoubtedly deserves. The novel comes as a response to a creative higher calling, a repayment of spiritual debt, a brave statement of honor and dignity. Ellisons working notes and letters have rendered clarification relevant to the conceptual and structural apparatus behind Invisible Man. The first part of the Working Notes analyses not only the causes of invisibility but also its subsequent manifestations and the impact it has on all parties involved. He uncovers two main sources of invisibility which are strongly rooted in the American cultural paradigm. The first generative element of invisibility is human nature itself. Man is instinctually pre-programed or pre-conditioned to interpret all physical, mental or spiritual differences as signs of inferiority and potential threats. This unfortunate reality enforces unnecessary clustering and segregation, separation and even conflict. Invisibility is not only a prerogative of race, gender or religious orientation. Individuals have often found themselves in a state of conflict or just ignorance because of trivial differentiations such as being from another city, speaking with a slightly different accent or supporting a different sports team. The conclusion is that no matter how small or big the differences, people are more than willing to surrender their personal identity to that of their respective arbitrary collective. They incapacitate themselves from seeing members of the rival faction as fellow, kindred beings and embrace a path of antagonism and dismal competition. The second factor of invisibility would be what Ellison identified in his notes as the great formlessness of Negro life. Cultural values here are highly volatile and exposed to a continuous stream of transformation and evolution. Afro-Americans are also subjected to often debilitating and diverse hardships from which only powerful individuals emerge with their personality, identity and sanity intact. Therefore it is difficult to create a stable, visible version of oneself inside a shifting and diverse ethnic universe whose objective is to heap disorientation rather than provide a marginally functi onal moral compass. The issue of compromise has largely gone unseen in the novel. On the surface it is a concept or deliberate lack of action which leads to a passive resolution of conflicts. Taking a more in-depth look however reveals that compromise merely postpones a brutal reaction or conflict. This method leads to the accumulation of tension, an overwhelming increase in the parameters of rage and self-loathing. Compromise draws its energy not from wisdom but from weakness because the truly powerful do not compromise they just make merciful enlightened concessions from time to time. The unnamed hero in Invisible Man joins the Brotherhood and later serves its nefarious plans not out conviction but out of necessity. This ruthless left wing organization which is nothing more than a literary expression of the real life Communist Party uses the main character as he allows himself to be manipulated. He catches rare glimpses of what goes on behind the curtain but he refuses to see and acknowledge the truth . And herein lurks his predicament: the truth cannot and will not set him free, not the weakened version of himself anyway. The truth always reaches everyone no matter how strong or elaborate the deception might be, yet it is always meant for those who have the power to accept it. Weakness and compromise can also lead to the dissolution of family values. The protagonists sexual indiscretions with a married woman are overlooked by her husband in the interest of politics. The fact that there is no vindication for this dastardly act confirms that our character is indeed for all intents and purposes invisible and also that modern day society is severely dehumanizing as under the false and frail mask of a pseudo-enlightenment a man is forced to himself find, accept and provide justification for adultery and sentimental betrayal. Devising his female characters spawned a great deal of compromise for Ellison himself. Most women in the novel are depicted as prostitutes or secret agents of deception and misrepresentation. Mary Rambo is the only positive female character in the novel, a nurturer, a benefactor for the protagonist, a mother figure. Despite all her qualities however she can never be a true partner for the invisible man as she utterly lacks eroticism or passion. She cant complete him; she can only tend to a limited amount of wounds. From Ellisons Working Notes we are made aware of what could have been the unnamed characters significant other. Sadly enough she never made the roster. Louise was envisaged as seductive, charming the flagship of American ideals of freedom, democracy and fertility. Her relative perfection sort of defeats the purpose of the whole novel. The main character must be assaulted, tested and prodded from all directions. His hardships are transformative, motivating, the defining ini tiators of his true identity. Give him love and redemption and you might end up with a Garfield-type character, too lazy and unwilling to seek transformative confrontation. So sadly enough we ended up with good old Sybil, Ellisons little compromise, who happens to have a bad case of jungle fever and whom the main character regards as nothing more than an obstacle and possibly a source of non-essential information. The end of the novel commandeers a corpus of interactive integrity where Ellison appeals to both novice and specialized readers. He reveals the representative voice of his narrative, a raft of hope carrying with it the encoded pride of our shared humanity: Being invisible and without substance, a disembodied voice as it were, what else could I do? What else but try to tell you what was really happening when your eyes were looking through? And it is this which frightens me: Who knows but that, on the lower frequencies, I speak for you? (Ellison, 1995:581) 1.3. Ralph Ellison: Between Addiction and Tradition Ralph Ellison underscores the linkages and connections between Afro-American Culture and mainstream American culture, based on a hope of potential synergy, choosing to disregard arbitrary bonds of restrictive servitude. The limitations to his method are very few as he manages to create new worth through the exploration of the infinite possibilities conferred by folk tradition, jazz or the tales of old. He promotes his narrative as a stable and truthful presence in the discontinuous, swiftly changing and diverse American culture. His body of work expresses a blues-like absurdity in accepting a personal desire to defy limitations, seeking not simply a portrayal of tradition, but a translation, a decryption of its wider, more precise meanings. Ellisons blues attest to the agony of life and the distinct possibility of overcoming all adversity through sheer wealth of spirit and desire to carry on by using pain as a catalyst rather than succumb to its destructive charms. Several essays in Shadow and Act call attention to the purpose of folklore and its inner workings, as they strive to preserve the repeated situations that had once formulated the existence of a well-defined group of individuals, capturing the beauty of thoughts and emotions. The wisdom and spiritual wealth of a group, its symbols, icons and heraldic legacy and ultimately its desire to live long and prosper, generated according to Ellison, an essential truth which captured the spirit of all blacks. Folk symbols can utterly annihilate time through their simplicity, and an entire culture can revolve around a raw image, a universal rhythm. When addressing the black experience Ellison is a firm believer that folklore confirms the Negros willingness to trust his own experience, his own sensibilities rather than to permit their oppressors and masters to decide these fundamental things for them. Folklore therefore becomes not only a source of cohesive identity but a resource for freedom as w ell. Black American folklore functions as an integral part of American and Western culture. Ellison recognizes the merits of a black tradition in confronting new American and global issues, by extracting from life new and profound definitions of joy. Black culture makes wide use of characters who represent folk cultural archetypes functioning inside a wider context of strategic symbology, representing various forms of art, music, religion or folk poetry. In Invisible Man the characters provide contrast and conflict with the lost nature of the invisible narrator who hovers above the storyline observing and sometimes triggering events which consolidate the narrative drive. The slave woman appearing in the prologue is meant to confirm centuries of victimization and hardships, and announce a propulsion towards embracing and understanding freedom. The grandfather who appears several times throughout the novel is a toxic character. He embodies the ambiguity of the past, a monument of bitterness and spiritual limitation which can have potentially crippling and debilitating consequences. The old mans gregarious survival strategy of allowing the so called self-destructive nature of the white man to run its course confirms a false and contagious grasp of what is real and functional. His yessing strategy worthy of the great Napoleon himself has nearly fatal repercussions for his grandson who adopts the strategy of his elder not out of belief but out of confusion and desperation. From a cultural point of view Invisible Man only has two characters who encompass both folk and contemporary black tradition: Trueblood and Mary. Jim Trueblood is on a very basic level an expectant father, a family man, a maker and supporter of life. Yet he is also a rapist, a pedophile and a performer of adultery and incest. The sins of this father cannot be justified through oniric dementia. His heinous act does not prevent him from finding redemption through music: I looks up and sees the stars and I starts singing. He also reaches a very dangerous Popeye the Sailor type conclusion, an empty statement that allows justification for just about anything I aint nobody but myself. Putting aside the repugnant nature of this character one cant help notice that he is deeply rooted in tradition; his humor, storytelling and manner of speaking exemplify the turmoil of his ethnic, racial and social legacy. Trueblood is also a part of Western tradition. He acknowledges his weakness and the sins of the flesh and in his twisted way he tries to be a family man: Im a man and man dont leave his family. From a psychological standpoint, Truebl ood is part of the Western tradition of incest entering the realm of Freudian psychoanalysis and dream interpretation. Mary Rambo is the only character in Invisible Man whom Ellison depicts in a positive manner. All other women are either prostitutes, crazy, sexually deviant, manipulative or lack a moral compass. Mary however is a kind, nurturing individual with a tremendous potential to eliminate the pain and suffering of those around her. She benefits from a robust humanity deeply anchored in the beauty and common sense of folk wisdom and time honored traditions. This female character manages to perfectly integrate into the crazy life of the metropolis without abandoning her individual complexity. She is never tainted by what festers around her and remains true to her pure and genuine calling. Ellison is able to comprehend both the splendor and the horrific nature of black culture. He uses language for example as a verbal facilitator for the most noble of human thoughts. The rich language of the South, the blooming spoken word of the North, the joyful verbal flow of 50s Harlem are all pitted against the ability of language to manipulate, to control, to create riots and inspire fear. Folk traditions, associated with other mechanisms of human comprehension, invite both the writer and the reader into the intimate life of blacks in America, allowing us to discover and observe them in celebration or tribulation, gripped by bliss alongside family and friends or in their darkest hour of need. Ellison employs cultural tradition without overusing external connections. His dramatic recoil is often based on a system of illusions which in the end exposes the betrayal of blackness while at the same time expounding a traumatic treatment of folk values. Folklore does not exist for its own sake. Its governing principle is to override futility within the confines of strict thematic structuralisation and dramatic undertones. Ellisons conceptual apparatus overpowers outdated representations of the southern folk community deeming them obsolete and leaning towards a more pre-individual approach to the matter at hand. He accomplishes an in-depth look into the mind of the individual or their respective collective. His characters are by no means nonsentimental or monosentimental, exploring previously untapped levels of the Afro-American psyche, reaching a point of cognitive no return. This tinkering about with both collective and individual representations of black society is done with flair and a great deal of humor and irony and herein lies the intrinsic value of Invisible Man. He makes the exploration of personal and group identity appear simple, natural and free flowing. Ellison has a very firm grip on the obvious and strives to implement cultural representations bearing in mind the potential of folklore to bring forth both enlightenment and spiritual unease. His intention is not to call down the proverbial thunder on the established order of perception as he is by no means a revolutionary writer. The milestone he sets out to complete is simply to interconnect Western symbols and mythology with black culture and folk wisdom in the hope of understanding and accepting the rules that govern this particular paradigm. Ellisons connection to the West, the systemic support in Invisible Man, offer an almost mathematical precision between creative consistency and cultural pronouncements. Larry Neal credited Ellison with a broad spectrum of theoretical sense, an intimidating corpus of knowledge regarding the explosive tensions underlying the Black mans presence in the United States. (Neal, 1968:9) Invisible Man resonates as a powerful pledge which is fully committed towards grasping the depths and complicated splendors that forge the definition of blackness. Ellison appears hungry to exploit the functions and dedicated objectives of language. He is not burdened by his cultural responsibility, but rather he views it as a method of release, embracing a higher calling of both a universal writer and a black writer. His hunger for definitions, the study of mannerisms and collective deductions stake their claim on a narrative that is offered with apparent ease and an almost godlike understanding of the black condition. There is music and ease behind his equanimous imagination and desire to embrace the noesis of his forefathers. A clinical presupposition would therefore entail an absolute independence inside the creative laws which define his conceptual apparatus. His examination of blackness though perfectly expounded and formulated is not without precedence. William Faulkner laid t he foundation for Ellison through a manifold of emblematic devices and astonishing accomplishments in capturing the proverbial zeitgeist of the South. Although Faulkner asserts himself as the deepest of the southerners, a larger than life communicator through symbols, Ellisons work should not be misconstrued as imitation or worse, as being written from an anxiety of influence. Ralph Ellison is an adequately developed writer, one profoundly original writer who is able to provide us with fresh new insight into Afro-American culture. His tree of literary knowledge casts a large enough shadow enabling him implement a black focus that gathers success in its encounters with an audience immensely appreciative of his creative undertakings. Ultimately Ralph Ellison produces a genuine and stimulating complexity when it comes to writing based on Afro-American culture and folk traditions. He commandeers cryptic messaging, appearing almost intoxicated with the power of his own written word and duty towards creative instruments of mental debt and depth. Folk tradition for Ellison is not proliferated as an end in itself, the author is severely self-conscious and bewildered by the overwhelming merits of simple traditions that have stood the test of time and enabled their carriers to maintain a coherent sense of identity. True folk forms provide us with a celebration of life, a righteous use of the flexible service instruments which fuel hope in the name of tradition, a proud remembrance of the past that is bound to secure the future. 1.4 Chronotopic Identity in Invisible Man Mikhail Bakhtins systemic apparatus of emblematic devices comprises cognitive depths which function beyond arbitrary boundaries of simple cultural relevance. Therefore applying Bakhtinian mechanisms of comprehension to Ralph Ellisons Invisible Man is a fully warranted undertaking encompassing both structure and a stern analysis of desirable and justified content. Bakhtins conceptual framework can be held accountable for altering cultural realms outside its borders of encounter, supplementing external ideas, improving and completing them. All disseminated elements are interconnected, lacking in explicit manifestation, adhering to implicit introduction and dialogic confrontation. Bakhtin asserts that no work of literature can exist as a separate, independent entity. Any literary text is in a state of flux, maintaining communication with other literary voices or streams. The influence can reside in imitation, modular transformation or adaptation, or even rejection which is nothing more than a reversal of method. A text is always informed by other texts and at the same time it has the duty to inform its readership. The connection between two texts is by no means constrictive or parasitic in nature. Its symbiotic orientation capitalizes on interdisciplinary dialogue and voice structure, honoring social complexity and linguistic wealth: The internal stratification of language is a prerequisite for the novel. The novel orchestrates all its themes, the totality of the world of objects and ideas depicted and expressed in it, by means of the social diversity of speech types and by the differing individual voices that flourish under such conditions. The links and interrelations lead to the novels heteroglossia and dialogization. (Bakhtin, 1981: 263) Identity formation, cultural memory and religion are paramount in the understanding of blacks and whites not as mere individuals but as complex, interconnected cultural entities. Bakhtins approach is atemporal and universal, allowing us to not only see or understand Afro-American culture but also to expand its deeper meanings, adapt and improve our own culture, enable a positive cross-cultural contamination by upgrading our shared humanity and collective heritage. Certain Bakthinian matters of interest such as power and control, materialism, (re)structured social and ethnic relations, dialogism, spatial and temporal paradigms provide the necessary competence to outline patterns of relevant functionality in Invisible Man. Ralph Ellisons displays a considerable amount of dialogic audacity as a method of integrating social strategies in his novel. His principles are governed by mental alacrity and argumentative observations which often foster resentment and playful overtones of deceptive chaos. Ellison and Bakhtin possess a dedicated, shared infrastructure, a common ground where their variations in discourse can become intertwined and intervene in the establishment of philosophical augmentations and consistent power structures. The boundaries between the two become nothing more than non-cohesive, penetrable conventions which allow transcendent voices to define the desires of randomly assigned trust and determination. Envisioning Invisible Man as a Bakhtinian novel one cant help but detect the ubiquitous Carnivalesque elements of perception which generate and govern the social environment. The Carnival entails a state of absolute liberation and subsequently a state of pseudo-anarchy, capricious libertinism and equality. It exists outside political, economic and social restrictions, suspending the status quo, living up to ideals of randomness and improvisation. It is a festival which celebrates the annihilation of individual hierarchies and the dismemberment of forged and unjust equilibriums. There is little room for political ambitions or extravagant portrayal of mediocre deeds. The Carnivaleque is a counter reaction to those abusive systems which strive to acquire our humanity with thirty pieces of our own silver. Another essential Bakhtinian concept that is of great importance to Invisible Man is that of the chronotope. Time-space describes the dual matrix behind the emergence of Ellisons novel, understanding both history and the topos on which it occurs. Ralph Ellison bends time to his liking offering nonlinear and often simultaneous projections engaging the readers attention and selective intelligence, inviting him to experience: [A] slightly different sense of time, youre never quite on the beat. Sometimes youre ahead and sometimes behind. Instead of the swift and imperceptible flowing of time, you are aware of its nodes, those points where time stands still or from which it leaps ahead. And you slip into the breaks and look around. (Ellison, 1995:8) This enigmatic passage distorts the accepted perception of time, offering a multilayered temporal construct which seeks to achieve transference of control while at the same time generating a climate of insecure reclusiveness and underprivileged substantiations of unclear history. The chronotopes initial manifestation in Invisible Man is done through the use of the fictional present. We are informed with great equanimity and familiarity that the narrator dwells in a coal cellar which is designed as a cocoon of self-banishment, an in-between world, a self -imposed Purgatory from which he can be emerge a new man, ready to confront his previous oppressors and the flawed systems that had spawned them. Time here contracts fissuring the containment of common meanings, creating a brave new nexus of darkened topography and supporting a cronosphere of intimidating and deliberate variation. The chronotope is the fulfiller of tradition, an astute element/method which defines our sense of community and social history. According to Mikhail Bakhtin, The chronotope is where the knots of narrative are tied and untied []. Time becomes, in effect, palpable and visible; the chronotope makes narrative events concrete, makes them take on flesh, causes blood to flow in their veins []. Thus the chronotope, functioning as the primary means for materializing time in space, emerges as a center for concretizing representation, as a force giving body to the entire novel. All the novels abstract elements philosophical and social generalizations, ideas, analyses of cause and effect gravitate towards the chronotope and through it take on flesh and blood, permitting the imaging power of art to do its work. (Bakhtin, 1981, 250) Time and space are inextricably intertwined with respect to the fundamental acknowledgement of uni

History Of Ferrari :: essays research papers

Enzo Ferrari was born in Modena Italy on February 18 1898. He came from a well to do family that owned a metal foundry making railroad parts, they were the first in his town to own a car. When WWI came Enzo's father and brother (Dino) were drafted into the Italian army, whom both died from influenza in 1916. Enzo was forced to leave school to run the foundry, when the business collapsed he started work as a metalworker at the Modena Fire Brigade workshop in order to support his widowed mother. Enzo himself was later drafted into the Italian army where he worked shoeing mules for the mountain artillery, after a few months he becomming seriously ill and was released from the military. Not interested in going back to shcool and against his mothers will, he found work as a test driver in Turin in late 1918. Enzo then moved to Milan to work at CMN (Costruzioni Maccaniche Nazionali) as a racing car driver. His first real race came in the 1919, the Parma-Berceto, he then entered the Targa Florio that same year. Enzo then founded Scuderia Ferrari, (literally means Ferrari Stable) who were mainly sponsers and trainers for Alfa Romeo. He was officially hired by Alfa Romeo as head of their racing department in 1938, then in 1940, upon learning of the company's plan to take control of his beloved Scuderia, he quit Alfa. Since he was prohibited by contract from racing for several years, the Scuderia briefly became Auto Avio Costruzioni Ferrari, which ostensibly produced machine tools and aircraft accessories for Piaggio and RIV as Italy was gearing up for WWII. Ferrari did in fact produce one race car, the Tipo 815, in the non-competition period; it was thus the first actual Ferrari car, but due to the war it saw little competition. In 1943 the Ferrari factory moved to Maranello, where it has remained ever since. The factory was bombed in 1944 due to making machines for ball bearing production, it was rebuilt in 1946 to include a works for road car production. The first Ferrari road car was the 1947 125 S, powered by a 1.5-litre V12 engine; Enzo reluctantly built and sold his automobiles to fund the Scuderia. While his beautiful and blazingly fast cars quickly gained a reputation for excellence, Enzo maintained a famous distaste for his customers, most of whom he felt were buying his cars for the prestige and not for racing.